Saturday, October 31, 2009

"Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems" 1st Part of Interview by Andrew Barger



Happy Halloween to one and all! Before I post on the author of the 38th best horror short story from 1800-1849, here is an interview I did for "Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems" that I did a while back. Since it is long, I will post half today and half in my next post. For you sneaky people, you can read it in its entirety at AndrewBarger.com.



"Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems"
Interview with Editor Andrew Barger



Q1:      Why did you decide to edit a new compilation of Edgar Allan Poe’s short stories and poems? This is obviously not the first Poe compilation. 
A1:      There are two main reasons.  First, I was sitting on a pile of Poe research from my historical novel about his life called “Coffee with Poe.” Primarily, however, it was out of frustration.  All the compilations I came across from Big Publishing simply listed his stories and poems with no background information or explanation.  Many of his stories are satires and burlesques of politicians and literary figures of the day, but you don’t have a clue from the books on the market.  Poe also wrote most of his poems to various women in his life.  That much is obvious.  Yet a person reading these bland, cookie-cutter Poe compilations has no idea to whom they refer.  Why is it that one hundred and fifty years after “The Purloined Letter” was published, the ending is unintelligible unless one is versed in Latin?  Why was I unable to find any compilation that translated this text for the reader in a footnote?

Q2:      I feel your frustration.
A2:      Don’t get me started. (Laughs)

Q3:      What sets this apart from cookie-cutter Poe books?
A3:      As you probably guessed, the book contains background information in the form of introductory paragraphs for each of the stories and the poems.  They set the stage for what was happening in the world when Poe sat down to write.  Also provided as part of the background are pictures of the actual people involved in the story or poem.  A few political cartoons are included from which I believe Poe got a few of his ideas.  It is also very interesting to see pictures of the many women in Poe’s life to whom he wrote his poems.  Poe has at least three fiancĂ©es, perhaps as many as five, and was married once.  Poems sent to Poe from these women are also included for the first time that I know of in a Poe compilation.  It greatly helps in understanding Poe’s relationship with these women and the direction for his own poems.  The dates of publication of his poems and stories are critical to understanding their context, so these are also included.  Nearly two thousand five hundred footnotes and endnotes are provided throughout.  They define everything from people, to foreign words, to antiquated sayings that have fallen out of favor over the past hundred and fifty years.  

Q4:      It must have taken a while.
A4:      Over three years even after I had the research I did on Poe for the “Coffee with Poe” novel.  I didn’t have gray hair or children when I started and now I have lots of them . . . gray hairs that is.

Q5:      Now for the juicy stuff.  What are your top five Poe stories?
A5:      This is tough.  He wrote across so many genres and created a few while he was at it.  My favorite horror story is “The Fall of the House of Usher.”  “The Murders in the Rue Morgue” is my favorite murder mystery with “Thou Art the Man” being a close second.  “Ligeia” is haunting and Poe called it one of his best.  Of his adventure stories, “The Gold-Bug” is fascinating to this day.  Of Poe’s satires and burlesques (there are many great ones), I like “King-Pest” and “The System of Doctor Tarr and Professor Fether.”  The later of which I wrote a new interpretation of, and it will be included in my first short story compilation set to publish in 2006.

Thursday, October 29, 2009

Andrew's Thoughts on The Mutiny Horror Short Story by William Harrison Ainsworth



In The Mutiny, William Harrison Ainsworth provides us with a tidy horror tale at sea. The writing is not as good as Running the Gauntlet, which I placed as the 40th greatest horror short story of 1800-1849, but enough horrific elements abound here to place the present story one notch better. In weighs in as the 39th best. Consider these sentences from the heart of the short story:
It now occurred to me, it was necessary the bodies should be thrown overboard. I took up one of them, dragged it to the side, and plunged it into the waves; but the dash of the heavy body into the sea, reminded me more forcibly of my loneliness. The sea was so calm, I could scarcely hear it ripple by the vessel's side. One by one I committed the bodies to their watery grave. At last my horrible task was finished.
Two days until Halloween!

Wednesday, October 28, 2009

The 39th Best Classic Horror Short Story 1800-1849 is The Mutiny by William Harrison Ainsworth


Today is my birthday and I am excited to provide a link to another fine classic horror short story from 1800-1849. Like the 40th best, this one also happens at sea. As announced in my last post, it was penned by William Harrison Ainsworth in 1823 and contained in his December Tales collection. It is his only short horror story that made the Top 40 for this time period. The title is The Mutiny and in it, there is plenty of blood chilling horror to spread around. The quote at the beginning is killer and sets a great tone for the story. It was republished in 1827, 1828 and 1830 in popular magazines of the day. Enjoy while I go eat birthday cake!

Monday, October 26, 2009

William Harrison Ainsworth - Author of the 39th Best Horror Short Story 1800-1849



As we proceed in counting down the Top 40 horror short stories from 1800-1849, I will post the author of the next story and then return with a link to the actual story in the next post. William Harrison Ainsworth (1805-1882) is the next author to chill our bones. For those of you not familiar with him, Ainsworth was trained as a lawyer, just like other fine horror story writers in the 50 year period in question; Honore de Balzac and Sir Walter Scott to name a few. Ainsworth quit the practice of law while still young and went on to publish nearly 40 novels. One of his best horror short stories was one of his first. Still not sure which one it is? Here's a hint, it was published in Ainsworth's first short story collection of 1823 and titled December Tales.

Sunday, October 25, 2009

Andrew's Thoughts on "Running the Gauntlet" Horror Short Story



In this story we have a ship aptly named The Storm, lulled in the tropics when a frigate comes barreling down on it seemingly out of nowhere. What is most striking about Running the Gauntlet is the high level of writing for an anonymous story. The dialogue among the characters is very believable. The author was not a newbie. Take this example:

Wild, affrighted looks were seen upon our decks, looking in the sickly light, like ghastly spectres from the tomb, but not a voice was heard, nor a breath drawn as, with the silence of the dead, we were whirling against the ship, until the captain waived his arm wth startling quickness, shouting,
"Hard up—h-a-a-r-d !"

While terror is present throughout this fine story, the lack of true horror brands this tale as the 40th best short story from 1800-1849. I would love to have input from the Web community on your thoughts. The next post will provide hints to the 39th best horror short story.

Saturday, October 24, 2009

The 40th Best Classic Horror Short Story 1800-1849 is Running the Gauntlet


 
 On with the first story in my countdown of the best classic horror short stories from 1800-1849!

The 40th best short horror story from 1800-1849 was published anonymously in the July-December issue of The Casket for 1839. This was a fine monthly magazine published in Philadelphia. It often ran stories of the macabre. The one at issue is called Running the Gauntlet. By clicking on the title you can read this fine tale of horror on the seas for yourself. Let me know what you think. The next post will reveal the criteria used to exclude stories from being considered for this countdown.

As always, you can check out my site: AndrewBarger.com.

Thursday, October 22, 2009

First Post of the Best Ghost Horror Vampire and Werewolf Short Stories Blog

Welcome to the first post of my Blog with the rather unartful name: "Best-Ghost-Horror-Vampire-Werewolf-Short-Stories." This is one of those times when art takes second seat to Web search result rankings. My name is Andrew Barger and I am the editor of Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems.The cover is my profile photo.

To kick off the Blog, I will be counting down the Top 40 Best Horror Stories published in the English language for the fifty year period between 1800 and 1849. The top thirteen will be revealed in a special way and I will give hints as the event gets closer.

So what criteria have I used to pick these early horror classics? First is fear. A grand horror story therefore must evoke a sudden sense of fear at some point. This often takes the form of a shocking ending, or a pervasive sense of fear or dread throughout the story. Next, there can be no fear unless we feel for the protagonist of the story. The deeper connection the reader has to the protagonist, the greater the ability of the writer to invoke fear in the reader. Last, the writing of the story, the actual text on the page, must be at a high level. All of the stories picked for this anthology meet all three criteria. That being said, a great horror story does not require blood and gore, or even the supernatural; but at least a sticky residue of dread long after the story is put down.


Sit back, relax and enjoy the great short stories that will start coming your way this week, and for many weeks to come.

Posted via email from The Best Ghost, Horror, Vampire, & Werewolf Short Stories