Tuesday, December 29, 2009

The 32nd Best Classic Horror Short Story 1800-1849 is The Fords of the Callum by James Hogg



The 32nd best classic horror short story in my countdown is  The Fords of the Callum by James Hogg. This horror tale is one of the better ones for the period in question and I will discuss why in my next post. Click on the free link to read it. If you are enjoying this countdown, you can visit my Website to see books that I have edited: AndrewBarger.com. I am also finishing up my first short collection of fiction. Thanks for your interest!

Monday, December 28, 2009

James Hogg - Author of the 32nd Best Classic Horror Short Story 1800-1849



James Hogg (1770-1835), commonly known by his penname "The Ettrick Shepard," was self-educated. He eventually made his way out of the rustic life of country living. He began writing short stories and articles for Blackwood's Edinburgh Magazine. While Hogg's novels did not leave a deep mark on literature, his short stories were penned at a very high level. In my estimation he is greatly overlooked as a writer of horror and ghost short stories in this important half century. Of the four horror stories he wrote, two have made my list of the Top 40 horror short stories from 1800-1849, with the other two close behind. In my next post I will provide a link to one of them.

Tuesday, December 22, 2009

Andrew's Thoughts on "The Field of Terror" Horror Short Story by Baron Friedrich Motte Fouquâe -- Spoilers



In 1820, Baron Freidrich Heinrich Karl de la Motte Fouque (1777-1843) published The Field of Terror. The horror story was first translated into English by Robert Pearse Gillies (1788-1858), Fouque's friend, in 1821 and later collected in the three volume anthology of German short stories titled: The Magic Ring, or The Castle of Montfaucon. The first English translation appeared in Vol VII of Blackwood's Edinburgh Magazine; the interesting and bold publication that gave us so many fine short stories of horror when the genre was in its infancy. The following letter by Gillies introduced the tale:
DEAR CHRISTOTHER,
I Have, for the sake of variety, chosen, instead of another dramatic criticism, to present your readers, in this Number, with one of the "Kleine Romane" of my excellent friend, the Baron de La Motte Fouque. Nor have I selected one of his longer and more serious compositions under this title, but preferred one of the numerous (I might say numberless) fairy tales, which he has thrown off with the playful grace of a genuine master. To shadow out the various modifications and contentions of good and evil in this life, typified and impersonized by-fairies, demons, &c. is a favourite system of the Baron. Hence his partiality to the superstitions of his country—to which, by his inventive genius, and his moral and philosophic powers, he has given an interest and importance altogether new. That your readers may duly appreciate this little Tale, it may be permitted us to remind them, that among the mountains, in the north of Germany, there is one which has been said to possess, among other minerals, the magnet, in such abundance, that the labours of the husbandman were there found to be impracticable. As one fable naturally begets another, it followed, of course, that this difficulty was ascribed to the immediate agency of malignant demons. It remained however, for the genius of Fouque, to moralize this legend; and probably, one ought not to rate the intelligence of any reader so low as to suppose that the moral of the following tale will not immediately be discovered. It may be considered, indeed, but a new modification of our own old chivalric legend of a knight, assailed by all the delusive horrors of witchcraft and sorcery, which vanish, one after another, before his invincible courage and constancy. (A legend, by the way, which has been so well given in the "Bridal of Triermain," and in vol. III. of Drake's "Literary Hours.") It will doubtless be perceived, that the adventures of Conrad are, in reality, no more than those of many a poor Farmer—who, with courage and perseverance, struggles against the difficulties of his fortune—and, at last, even from sterile fields, on which he is haunted by the demons of apprehension, indolence, and despondency, may, by contented industry, gain a competent livelihood, a comparative affluence. Your friend, R. P. G.
This is a fine German fantasy tale and it introduces the first (and only) hobgoblin in this countdown of the Top 40 short horror stories from 1800-1849. Conrad, the protagonist farmer, not only makes a deal with the hobgoblin, but he brings the evil character into his house. The troubles of this farmer are a metaphor for so many areas of all people's lives regardless of their profession. It is as profound now as it was nearly 200 years ago. If "The Field of Terror" were not based loosely off German legend, this story would have appeared higher on the list. The tarnishment of not being completely original prevents it from doing so.

Tuesday, December 15, 2009

The 33rd Best Classic Horror Short Story 1800-1849 is The Field of Terror by Friedrich de la Motte Fouquâe



The gem of a horror tale that German Baron Motte Fouquae provided us is called The Field of Terror. It appears as the 33rd best classic horror short story on my countdown of the Top 40 for this half century. Enjoy!

Monday, December 14, 2009

Friedrich Heinrich Karl de la Motte, Baron Fouqué - Author of the 33rd Best Classic Horror Short Story 1800-1849



Freidrich Heinrich Karl de la Motte Fouque (1777-1843), the baron with the extremely long name, gives us the 33rd best horror short story for the time period at issue. He is the first German to appear on the countdown. Fouque was considered part of the German romantic movement. As a result he wrote poetry and a few novels, such as The Magic Ring and Undine. The later is considered his best work. H. P. Lovecraft, in his Supernatural Horror in Literature, called "Undine" a classic and the "most artistic of all the Continental weird tales." In 1816 "Undine" was composed into a German opera by E.T.A. Hoffmann, who will later appear in the countdown. And speaking of the countdown, in my next post I will place a link to Fouque's fine horror short story of a mischievous goblin.

Sunday, December 6, 2009

"Tamerlane" by Poe Auctioned for a Record Amount

Poe's first book, "Tamerlane and Other Poems," which he self published anonymously, auctioned last week for $662,500 at Christie's. This amount is the most ever paid for a 19th-century collection of poetry. Ironically, Poe lived in poverty most his life.
 

Posted via email from The Best Ghost, Horror, Vampire, & Werewolf Short Stories

Friday, December 4, 2009

Andrew's Thoughts on "Confessions of a Reformed Ribbonman" Horror Short Story



Ribbonism was a secret society of Irish farmers and land workers that was formed in 1826 as a result of poor working conditions. Its members were called Ribbonmen and they sought justice against wealthy land owners. That is where the title of this story is derived.

The first installment for Confessions of a Reformed Ribbonman was first published in the January 23, 1830 issue of the Dublin Literary Gazette. The second installment followed on January 30th. It is one of the first examples of Irish Gothic literature. The editorial comments before the story state that the tale is true, and further that:

The source from which it is derived satisfies us of its authenticity. As affording an insight into the habits and secret actions of a very extraordinary set of wretches, some of whom are said even yet to disgrace the wilder parts of the country . . .
What makes this fiendish tale of revenge especially devious is that the "wretches" gather in a church by candlelight before launching out into the night. They swear on a Bible to follow through with their malevolent deed and tell no one afterwards. This tale contains a number of passages of horror. Consider the following passage, which is the most horrific:
The Captain approached him coolly and deliberately. " You will prosecute no one now, you bloody informer," said he; " you will convict no more boys for taking an ould rusty gun an' pistol from you, or for givin' you a neighbourly knock or two into the bargain." Just then from a window opposite him, proceeded the shrieks of a woman who appeared at it with the infant in her arms. She herself was almost scorched to death; but with the presence of mind and humanity of her sex, she was about to thrust the little babe out of the window. The Captain noticed this, and with characteristic atrocity, thrust, with a sharp bayonet, the little innocent, along with the person who endeavoured to rescue it, into the red flames, where they both perished. This was the work of an instant. Again he approached the man; "your child is a coal now," said he, with deliberate mockery, "I pitched it in myself on the point of this," showing the weapon, "and now is your turn," saying which he clambered up by the assistance of his gang, who stood with a front of pikes and bayonets bristling to receive the wretched man, should he attempt in his despair to throw himself from the wall. The Captain got up, and placing the point of his bayonet against his shoulder, flung him into the fiery element that raged behind him. He uttered one wild and piercing cry, as he fell back, and no more; after this nothing was heard but the crackling of the fire, and the rushing of the blast; all that had possessed life within were consumed, amounting either to eleven or fifteen persons.
This story can be faulted for the stilted, almost unreadable, Irish accents provided in its pages. It does, however, belong in this horror countdown, just high in the order. Have a great weekend!

Thursday, December 3, 2009

Grab Edgar Allan Poe's First Book Tomorrow



That's right, for the rich among us, you can bid tomorrow on Poe's first book: "Tamerlane and Other Poems." It is being auctioned at Christie's tomorrow. This 1827, self-published book is Poe's first collection of poetry. Only 40 copies were printed and just 12 copies still exist. Don't have the estimated $500,000 - $700,000 selling price? Click Tamerlane and read it for free on Google Books.


Wednesday, December 2, 2009

The 34th Best Classic Horror Short Story 1800-1849 is "Confessions of a Ribbonman" by William Carleton



The next story in the countdown is a devilish tale of vengeance titled: Confessions of a Reformed Ribbonman. This classic horror story was penned by Irish author, William Carleton in 1830. It is the only story of Carleton's that makes an appearance on this classic horror story countdown. In my next post I will give my thoughts on why it made the list.


Tuesday, December 1, 2009

William Carleton - Author of the 34th Best Classic Horror Short Story 1800-1849



Continuing with the countdown, William Carleton (1794-1869) is the next author on the list. One of fourteen children, Carleton grew up on an Irish farm and was, for the most part, self-educated. He penned a handful of novels and a haunting horror short story that first appeared in The Dublin Literary Gazette. I will provide the link to it in my next post.

Monday, November 30, 2009

Works Excluded from Andrew Barger's Countdown of the Best Horror Short Stories from 1800-1849



Now that we are several stories into my countdown of the best horror short stories from 1800-1849, I wanted to let you know what stories I have excluded from being considered for this list. It does not contain stories of ghosts, werewolves, the devil, witches, vampires, fantasy, murder mysteries or science fiction. The later explains why William Mumford’s The Iron Shroud is not included. Its futuristic mechanisms necessitate that this fantastic story be placed in the sci-fi genre despite its horrific elements.

No excerpts from novels, which are typically called “fragments,” are included here. It is acceptable, however, from my perspective, to take a story from a long narrative that combines or links multiple short stories such as Dickens’s The Posthumous Papers of the Pickwick Club or Arabian Days' Entertainments by William Hauff. Finally, only fiction stories are included here that have been translated into the English language at some point. Tomorrow I will reveal the author of the next horror story from this fifty year period. Cheers!

Wednesday, November 25, 2009

Andrew's Thoughts on "Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity" Horror Short Story by Richard Harris Barham ((tag: singular passage in the life of the late henry harris, richard barham))



Yesterday I provided a link to Richard Harris Barham's Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity and flagged it as the 35th best horror short story from 1800-1849 in my countdown of the Top 40. The Top 13 of which will be published in a book I edited that should be available in late March 2010.

The horror story was first published anonymously in Vol 29 of the 1831 edition of Blackwood's Edinburgh Magazine. Barham wrote in his diary: "My wife goes to bed at ten to rise at eight, and look after the children, and other matrimonial duties; I sit up till three in the morning working at rubbish for Blackwood -- she is the slave of the ring, and I of the lamp." A "Singular Passage" is not, however, rubbish. It is told by "Rev. T. S.," the friend and executor of Henry Harris's estate and contains a number of chilling passages. Consider the following passage when Mary begins to have supernatural experiences:

Turning hastily at the sound, she perceived Mary deadly pale, grasping, as it were convulsively, each arm of the chair which supported her, and bending forward in the attitude of listening : her lips were trembling and bloodless, cold drops of perspiration stood upon her forehead, and in an instant after, exclaiming in a piercing tone, ' Hark ! they are calling me again ! it is—it is the same voice ! Oh no ! no!—Oh my God! save me, Betsy, —hold me—save me !' she fell forwards upon the floor.
A surgeon rushes in and begins bloodletting, yet none will flow. Later Mary recovers, a victim of her lover's practice in the dark arts. Her recovery will not last for long.

Given one of the first instances of transmutation in a horror short story, a high level of writing and compelling plot, a "Singular Passage" is justly deserved as one of the best horror short stories from 1800-1849. It was later collected in The Ingoldsby Legends by Barham. I hope you enjoyed it and have a great Thanksgiving to readers in the U.S.


Tuesday, November 24, 2009

The 35th Best Classic Horror Short Story 1800-1849 is Singular Passage . . ." by Richard Barham



Richard Harris Barham, ordained minister and part-time horror story writer and macabre poet, has penned what I believe to be the 35th best horror short story for the half century in question. The lengthy title is Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity. Read it free on Google Books.

Monday, November 23, 2009

Richard Harris Barham Author of the 35th Best Horror Short Story 1800-1849



In literary circles, Richard Harris Barham (1788-1845), is more commonly known by his pseudonym: Thomas Ingoldsby. It was under this pseudonym that he began publishing short horror stories in popular magazines of the day. Bentley's Miscellany received most of them. Since Barham was ordained as a priest, it makes sense that he published his ghost and horror stories under a pseudonym. In 1837 Barham published a collection of short tales that were compiled into The Ingoldsby Legends. Tomorrow I will post a link to a horrific tale of transmutation by Barham that was published in 1848.

Friday, November 20, 2009

Andrew's Thoughts on "The Mysterious Mansion" Horror Short Story by Honore de Balzac -- Spoilers!



In The Mysterious Mansion Honore de Balzac (1799-1850) has produced one of the first (if not the first) horror short story where a character is walled up while still alive. The devious tale was published in 1832. This is 14 years before Edgar Allan Poe had his character Fortunato (which was a characterization of one of his literary enemies: Thomas Dunn English) walled up in The Cask of Amontillado, which was first published in the November 1846 issue of Godey's Lady's Book.

The Mysterious Mansion is praised for its originality and haunting ending. Unfortunately, a lack of suspense building early in the tale keeps it from moving farther down my list of the Top 40 horror short stories from 1800-1849.

Thursday, November 19, 2009

The 36th Best Classic Horror Short Story 1800-1849 is The Mysterious Mansion by Honore de Balzac



Yesterday I posted that Honore de Balzac, that tireless Frenchmen of letters, was the next author to make an appearance in the list. His horror story that appears as 36th on that list is none other than The Mysterious Mansion. Tomorrow I will give my thoughts on it, so read quickly. If you really want to add to the terror, have a go at it in the closet with the door shut.

As always, thanks for reading.


Wednesday, November 18, 2009

Honoré de Balzac - Author of the 36th Best Classic Horror Short Story 1800-1849



Frenchman Honoré de Balzac (1799-1850) makes his first appearance in this short horror story countdown this week. Trained as an attorney, de Balzac found the routine of practicing law boring for a man of his creative genius. He turned to writing. In a frenetic pace he churned out nearly 100 novels and plays in a collective work he titled: La Comédie Humaine. A handful of his short stories are considered horror and for good measure. Tomorrow I will introduce an especially fiendish tale of his that will not disappoint.

Victor Hugo and many popular French writers of the day attended de Balzac's funeral in Paris. It was Hugo, however, who was chosen to given the eulogy to de Balzac.


Monday, November 16, 2009

Andrew's Comments on "Ben Blower's Story" Horror Short Story by Charles Fenn Hoffman ((tag: Charles Hoffman, charles F. Hoffman, charles fenno hoffman, andrew barger, charles fenno hoffmann,ben blower's story, review of ben blower's stor



In my last post I provided a link to "Ben Blower's Story" by Charles Fenn Hoffman and have flagged it as the 37th best horror short story in my countdown of the Top 40 from 1800-1849. In this tale of sensation, where readers live through the harrowing and horrific experiences of the protagonist, shipmate Ben Blower is trapped inside the boiler of a ship that is quickly filling with water. Consider this passage:
My whole condition—no—not all of it—not yet— my present condition flashed with new horror upon me. But I did not again swoon. The choking sensation which had made me faint, when I first discovered how I was entombed, gave way to a livelier, though less overpowering, emotion. I shrieked even as I started from my slumber. The previous discovery of the closed aperture, with the instant oblivion that followed, seemed only a part of my dream, and I threw my arms about and looked eagerly for the opening by which I had entered the horrid place— yes, looked for it, and felt for it, though it was the terrible conviction that it was closed—a second time brought home to me—which prompted my frenzied cry. Every sense seemed to have tenfold acuteness, yet not one to act in unison with another. I shrieked again and again—imploringly—desperately—savagely. I rilled the hollow chamber with my cries till its iron walls seemed to tingle around me. The dull strokes of the accursed pump seemed only to mock at while they deadened my screams.
Stilted language near the end and the deus ex machina surprise appearance of the mallet and "marline-spike" in Ben's pocket, keeps "Ben Blower's Story" from claiming a lower spot on the list of the Top 40 horror short stories for the half century in question.


Thursday, November 12, 2009

The 37th Best Classic Horror Short Story 1800-1849 is Ben Blower's Story by Charles Hoffman



In yesterday's post I hinted that the 37th best classic horror short story for the half century in question was penned by Charles F. Hoffman (1806-1884). The horror tale of sensation is titled: Ben Blower's Story; or How to Relish a Julep. It was published on page 132 of Graham's Magazine in September of 1842, Vol. XXI, No. 3 for those keeping track at home. Have a go at it and I will give you my thoughts in the next post.

Wednesday, November 11, 2009

Charles F. Hoffman - Author of the 37th Best Classic Horror Short Story 1800-1849


Continuing in the countdown, horror short story 37 comes to us from Charles Fenno Hoffman (1806-1884). During the fifty-year period in question he was known for a detailed and observant writing style. Hoffman's tales: "A Winter in the West," "Adirondacks," "Romance of the Mohawks," and "Greyslaer" earned him popularity among the literati of the day; the first being a collection of short stories. He also wrote poetry, much of it anonymously; and penned three hit songs. For our purposes, however, Charles Hoffman has given us a fine horror tale of sensation. I will provide a link to it in my next post.

Saturday, November 7, 2009

Andrew's Comments on "The Wedding Knell" Horror Short Story by Nathaniel Hawthorne ((TAGS: hawthorne best horror, poe and Hawthorne, andrew barger, horror short story))



Nathaniel Hawthorne is well-known for the metaphors on morality and life that can be found in his stories. "The Wedding Knell" is no different. It contains none of the blood or terror one may expect from a horror short story, yet its dramatic ending places the story firmly in the horror genre.

In the story we have a worldly bride marrying a non-worldly man. When her foot touches the grounds of the church, its bell rings its deepest knell. Then the groom appears and Hawthorne gives us one of most Gothic wedding scenes in literature:

What and slowly diverged, till, in the centre, appeared a form, that had been worthily ushered in with all this gloomy pomp, the death-knell, and the funeral. It was the bridegroom in his shroud!
No garb but that of the grave could have befitted such a death-like aspect; the eyes, indeed, had the wild gleam of a sepulchral lamp; all else was fixed in the stern calmness which old men wear in the coffin.

The corpse stood motionless, but addressed the widow in accents that seemed to melt into the clang of the bell, which fell heavily on the air while he spoke.


'Come, my bride!' said those pale lips, 'The hearse is ready. The sexton stands waiting for us at the door of the tomb. Let us be married; and then to our coffins!'

This text alone is enough to place this tale among the Top 40 horror short stories from 1900-1849. Edgar Allan Poe in his "Twice-Told Tales: A Review" published in Graham's Magazine, May 1842 has this to say about the story:

"The Wedding Knell" is full of the boldest imagination--an imagination fully controlled by taste. The most captious critic could find no flaw in this production.

My only deviation from Poe is the lack of Hawthorne's building of suspense, which, for the purposes of this countdown, pushes "The Wedding Knell" high in the order.

Wednesday, November 4, 2009

The 38th Best Classic Horror Short Story 1800-1849 is The Wedding Knell by Nathaniel Hawthorne



Yesterday I announced that Nathaniel Hawthorne, that venerable horror short story writer from Salem, would be the next author in the countdown. What I have chosen as the 38th best horror story for the fifty year period in question is "The Wedding Knell." It is relatively short for a Hawthorne tale and can easily be read in one sitting. In my next post I will let you know why I picked it and what Edgar Allan Poe thought about the story, too. Enjoy!

Tuesday, November 3, 2009

Nathaniel Hawthorne - Author of the 38th Best Classic Horror Short Story 1800-1849



Unfortunately Halloween is over, but this countdown of the best classic horror short stories from 1800-1849 is just getting started.

Let's continue counting them down with the introduction of the author of our 38th best story. He is the first American author to appear on this Top 40 countdown and is well known. His name is Nathaniel Hawthorne (1804-1864) and he was born in Salem, Massachusetts--former home of the witch trials where his great-great grandfather served as a judge. What a fitting place for a young horror writer to be raised. He is pictured here at the age of 35.

The next post will have a free link to his story. As you may suspect, this will not be the last time Nathaniel Hawthorne appears on this countdown.

Sunday, November 1, 2009

"Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems" 2nd Part of Interview by Andrew Barger


"Edgar Allan Poe Annotated and Illustrated" Interview
(Part II)
by
Andrew Barger

Q6:      Top five Poe poems?
A6:      This is a little easier than the stories.  I like “Ulalume,” “The Raven,” “The Coliseum,” “Annabel Lee,” and “The Conqueror Worm” in that order.  Poems that tell a story always seem to work the best and Poe takes it to a whole new level.

Q7:      If a person wants a different perspective on Poe other than your book, do you have any recommendations?
A7:      I like two other books . . . well, they are actually multiple volumes each.  The first is titled “Edgar Allan Poe: The Man” by Mary Phillips.  It was published in the early 1900s and stands today as the best Poe biography.  The second is “Complete Poems” and “Tales and Sketches” by Thomas Mabbott.  He was a Harvard professor who spent his career researching Poe.  He was able to find a number of Poe writings that were not known before and he produced great research on Poe.  My only complaint is that he spends an inordinate amount of time in his books trying to figure out where Poe, one of the most original authors in modern history, got his ideas.  Mabbott does not approach Poe from my perspective, which is to focus on the underlying meaning of the stories and real people involved in them.  There are few photographs.  He also does not include poems written to Poe from his romantic interests.


Q8:      In the introduction to “Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems” you talk about Poe as critic and you think it was a mistake on his part.
A8:      Sure.  Poe was a great critic, perhaps one of the best, but it was not the best career move given his talents.  I figured out that if Poe had written just 1/5th of additional fiction as he did critiques, we would have another forty stories by him.  That is sad and amazing to think about.  Of course, money comes into play.  Poe was paid more for lambasting other authors than for his fiction.  His total payment for “The Raven” was between $10 and $15.  That is a travesty.  So from a purely financial perspective I can’t blame Poe for time spent as critic when he was trying to support his family solely off writing at a time when there was no international copyright treatise, which allowed U.S. publishers to print the stories of more popular European authors free of charge.  What a tough system (or lack of a system) for Poe.  Regardless, it is fun to be able to read Nathaniel Hawthorne’s “Twice Told Tales” and then to read what Poe thought of it.  He was a big fan of Hawthorne and his critiques helped focus much needed attention toward the little-known author from Salem, Massachusetts.

Q9:      Both Poe and Hawthorne wrote of the supernatural.  Do you believe in the supernatural?
A9:      Now that’s a juicy question.  Ghosts and goblins, no.  The closest I’ve ever come to a supernatural event was actually when I was editing this book.  I was sitting at the computer doing the background story for “Berenice” when a raven flew against my window.  It was the largest raven I have ever seen; large almost like a chicken, and it hit the window so hard that I jumped out of my seat in fear it would shatter over the keyboard and me.  After the first hit it backed off in a bit of a daze, fluttered there for a moment staring at me, and then hit the window twice more.  It then took off.  By that time I was near the door in a cold sweat.  I have never seen a raven outside my window since, nor has one ever hit the window apart from that time.  Eerie.  I do believe God works in mysterious ways.  Too much happens in this world to just pass off as happenstance or luck.  A butterfly might flap its wings in Timbuktu and cause a tornado in Texas, but then a lot of good happens in this world that we rarely hear of it in the media.  By the way, we need to round up all these butterflies.  They’re causing too much havoc in this world. These tornado-causing butterflies are truly a danger to mankind. The FDA should put a label on them. (Smiles)

Q10:     Why did you include the illustrations of Henry Clarke and Gustave Dore? There have been a number of Poe illustrators.
A10:     Poe's short stories beg to have illustrations shown. Henry Clarke has some really great Poe illustrations he did on reverse plates; that is, he started with a black page and etched out what he wanted to display. "The Raven" has the great illustrations of Gustave Dore. A hundred years later and they are still unmatched.

  

Saturday, October 31, 2009

"Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems" 1st Part of Interview by Andrew Barger



Happy Halloween to one and all! Before I post on the author of the 38th best horror short story from 1800-1849, here is an interview I did for "Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems" that I did a while back. Since it is long, I will post half today and half in my next post. For you sneaky people, you can read it in its entirety at AndrewBarger.com.



"Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems"
Interview with Editor Andrew Barger



Q1:      Why did you decide to edit a new compilation of Edgar Allan Poe’s short stories and poems? This is obviously not the first Poe compilation. 
A1:      There are two main reasons.  First, I was sitting on a pile of Poe research from my historical novel about his life called “Coffee with Poe.” Primarily, however, it was out of frustration.  All the compilations I came across from Big Publishing simply listed his stories and poems with no background information or explanation.  Many of his stories are satires and burlesques of politicians and literary figures of the day, but you don’t have a clue from the books on the market.  Poe also wrote most of his poems to various women in his life.  That much is obvious.  Yet a person reading these bland, cookie-cutter Poe compilations has no idea to whom they refer.  Why is it that one hundred and fifty years after “The Purloined Letter” was published, the ending is unintelligible unless one is versed in Latin?  Why was I unable to find any compilation that translated this text for the reader in a footnote?

Q2:      I feel your frustration.
A2:      Don’t get me started. (Laughs)

Q3:      What sets this apart from cookie-cutter Poe books?
A3:      As you probably guessed, the book contains background information in the form of introductory paragraphs for each of the stories and the poems.  They set the stage for what was happening in the world when Poe sat down to write.  Also provided as part of the background are pictures of the actual people involved in the story or poem.  A few political cartoons are included from which I believe Poe got a few of his ideas.  It is also very interesting to see pictures of the many women in Poe’s life to whom he wrote his poems.  Poe has at least three fiancées, perhaps as many as five, and was married once.  Poems sent to Poe from these women are also included for the first time that I know of in a Poe compilation.  It greatly helps in understanding Poe’s relationship with these women and the direction for his own poems.  The dates of publication of his poems and stories are critical to understanding their context, so these are also included.  Nearly two thousand five hundred footnotes and endnotes are provided throughout.  They define everything from people, to foreign words, to antiquated sayings that have fallen out of favor over the past hundred and fifty years.  

Q4:      It must have taken a while.
A4:      Over three years even after I had the research I did on Poe for the “Coffee with Poe” novel.  I didn’t have gray hair or children when I started and now I have lots of them . . . gray hairs that is.

Q5:      Now for the juicy stuff.  What are your top five Poe stories?
A5:      This is tough.  He wrote across so many genres and created a few while he was at it.  My favorite horror story is “The Fall of the House of Usher.”  “The Murders in the Rue Morgue” is my favorite murder mystery with “Thou Art the Man” being a close second.  “Ligeia” is haunting and Poe called it one of his best.  Of his adventure stories, “The Gold-Bug” is fascinating to this day.  Of Poe’s satires and burlesques (there are many great ones), I like “King-Pest” and “The System of Doctor Tarr and Professor Fether.”  The later of which I wrote a new interpretation of, and it will be included in my first short story compilation set to publish in 2006.

Thursday, October 29, 2009

Andrew's Thoughts on The Mutiny Horror Short Story by William Harrison Ainsworth



In The Mutiny, William Harrison Ainsworth provides us with a tidy horror tale at sea. The writing is not as good as Running the Gauntlet, which I placed as the 40th greatest horror short story of 1800-1849, but enough horrific elements abound here to place the present story one notch better. In weighs in as the 39th best. Consider these sentences from the heart of the short story:
It now occurred to me, it was necessary the bodies should be thrown overboard. I took up one of them, dragged it to the side, and plunged it into the waves; but the dash of the heavy body into the sea, reminded me more forcibly of my loneliness. The sea was so calm, I could scarcely hear it ripple by the vessel's side. One by one I committed the bodies to their watery grave. At last my horrible task was finished.
Two days until Halloween!

Wednesday, October 28, 2009

The 39th Best Classic Horror Short Story 1800-1849 is The Mutiny by William Harrison Ainsworth


Today is my birthday and I am excited to provide a link to another fine classic horror short story from 1800-1849. Like the 40th best, this one also happens at sea. As announced in my last post, it was penned by William Harrison Ainsworth in 1823 and contained in his December Tales collection. It is his only short horror story that made the Top 40 for this time period. The title is The Mutiny and in it, there is plenty of blood chilling horror to spread around. The quote at the beginning is killer and sets a great tone for the story. It was republished in 1827, 1828 and 1830 in popular magazines of the day. Enjoy while I go eat birthday cake!

Monday, October 26, 2009

William Harrison Ainsworth - Author of the 39th Best Horror Short Story 1800-1849



As we proceed in counting down the Top 40 horror short stories from 1800-1849, I will post the author of the next story and then return with a link to the actual story in the next post. William Harrison Ainsworth (1805-1882) is the next author to chill our bones. For those of you not familiar with him, Ainsworth was trained as a lawyer, just like other fine horror story writers in the 50 year period in question; Honore de Balzac and Sir Walter Scott to name a few. Ainsworth quit the practice of law while still young and went on to publish nearly 40 novels. One of his best horror short stories was one of his first. Still not sure which one it is? Here's a hint, it was published in Ainsworth's first short story collection of 1823 and titled December Tales.

Sunday, October 25, 2009

Andrew's Thoughts on "Running the Gauntlet" Horror Short Story



In this story we have a ship aptly named The Storm, lulled in the tropics when a frigate comes barreling down on it seemingly out of nowhere. What is most striking about Running the Gauntlet is the high level of writing for an anonymous story. The dialogue among the characters is very believable. The author was not a newbie. Take this example:

Wild, affrighted looks were seen upon our decks, looking in the sickly light, like ghastly spectres from the tomb, but not a voice was heard, nor a breath drawn as, with the silence of the dead, we were whirling against the ship, until the captain waived his arm wth startling quickness, shouting,
"Hard up—h-a-a-r-d !"

While terror is present throughout this fine story, the lack of true horror brands this tale as the 40th best short story from 1800-1849. I would love to have input from the Web community on your thoughts. The next post will provide hints to the 39th best horror short story.

Saturday, October 24, 2009

The 40th Best Classic Horror Short Story 1800-1849 is Running the Gauntlet


 
 On with the first story in my countdown of the best classic horror short stories from 1800-1849!

The 40th best short horror story from 1800-1849 was published anonymously in the July-December issue of The Casket for 1839. This was a fine monthly magazine published in Philadelphia. It often ran stories of the macabre. The one at issue is called Running the Gauntlet. By clicking on the title you can read this fine tale of horror on the seas for yourself. Let me know what you think. The next post will reveal the criteria used to exclude stories from being considered for this countdown.

As always, you can check out my site: AndrewBarger.com.

Thursday, October 22, 2009

First Post of the Best Ghost Horror Vampire and Werewolf Short Stories Blog

Welcome to the first post of my Blog with the rather unartful name: "Best-Ghost-Horror-Vampire-Werewolf-Short-Stories." This is one of those times when art takes second seat to Web search result rankings. My name is Andrew Barger and I am the editor of Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems.The cover is my profile photo.

To kick off the Blog, I will be counting down the Top 40 Best Horror Stories published in the English language for the fifty year period between 1800 and 1849. The top thirteen will be revealed in a special way and I will give hints as the event gets closer.

So what criteria have I used to pick these early horror classics? First is fear. A grand horror story therefore must evoke a sudden sense of fear at some point. This often takes the form of a shocking ending, or a pervasive sense of fear or dread throughout the story. Next, there can be no fear unless we feel for the protagonist of the story. The deeper connection the reader has to the protagonist, the greater the ability of the writer to invoke fear in the reader. Last, the writing of the story, the actual text on the page, must be at a high level. All of the stories picked for this anthology meet all three criteria. That being said, a great horror story does not require blood and gore, or even the supernatural; but at least a sticky residue of dread long after the story is put down.


Sit back, relax and enjoy the great short stories that will start coming your way this week, and for many weeks to come.

Posted via email from The Best Ghost, Horror, Vampire, & Werewolf Short Stories