Showing posts with label marryat horror stories. Show all posts
Showing posts with label marryat horror stories. Show all posts

Thursday, May 13, 2010

Author of the 19th Best Horror Short Story 1800-1849 is Captain Frederick Marryat


Captain Frederick Marryat (1792-1848) is the next author to appear on my countdown of the best horror short stories from 1800-1849. He last appeared at 29 on the countdown with his chilling short story called The Legend of the Bell Rock. I have provided the link if you missed it the first time.

Monday, February 8, 2010

Andrew's Thoughts on The Legend of the Bell Rock by Frederick Marryat


The classic horror short story by Captain Frederick Marryat titled The Legend of the Bell Rock was first published in 1836. While today we may see originality in the tale, this was not of Marryat's mind as can be seen from The Legend of the Bell Rock poem and introduction found in a 1825 collection of short stories "Characters Omitted in Crabbe's Parish Register; with Other Tales." As Marryat's fame as a writer grew, The Legend of the Bell Rock was collected into an 1841 anthology Olla Podrida. There is much to be liked in this horror short story that hits on the lengths one will go to for love. In the tale the cagey and compassionate residents of Aberbrothwick place a warning bell on a rocky outcropping to signal ships to avoid the area. M'Clise, the protagonist, seeks the hand of the lovely Katarina but her father requires a large sum of money to buy her favor. M'Clise decides to steal the bell and sell it, only to be driven mad by his quest for money and Katarina. This is the haunting close to the story:
The Bell Rock! M'Clise shuddered, and made no reply. Onward went the vessel, impelled by the sea and wind : one moment raised aloft, and towering over the surge ; at another, deep in the hollow trough, and walled in by the convulsed element. M'Clise still held his Katcrina in his arms, who responded not to his endearments, when a sudden shock threw them on the deck. The crashing of the timbers, the pouring of the waves over the stern, the heeling and settling of the vessel, were but the work of a few seconds. One more furious shock,—she separates, falls on her beam ends, and the raging seas sweep over her.
M'Clise threw from him her whom he had so madly loved, and plunged into the wave. Katerina shrieked, as she dashed after him, and all was over.
When the storm rises, and the screaming sea-gull seeks the land, and the fisherman hastens his bark towards the beach, there is to be seen, descending from the dark clouds with the rapidity of lightning, the form of Andrew M'Clise, the heavy bell to which he is attached by the neck, bearing him down to his doom.
And when all is smooth and calm, when at the ebbing tide, the wave but gently kisses the rock, then by the light of Ihe silver moon, the occupants of the vessels which sail from the Frith of Tay, have often beheld the form of the beautiful Katerina, waving her white scarf as a signal that they should approach, and take her off from the rock on which she is seated. At times, she offers a letter for her father, Vandermaclin; and she mourns and weeps as the wary mariners, with their eyes fixed on her, and with folded arms, pursue their course in silence and in dread.
The lack of originality by Marryat in conceiving of the idea (the seed of novelty that is so greatly cherished by true authors of literary genius) for this classic horror short story puts it higher in this list than it deserves otherwise. Thanks for reading and please visit the homepage for the Best Horror, Ghost, Werewolf and Vampire Short Story Blog.
      

Thursday, February 4, 2010

Author of the 29th Best Classic Horror Short Story 1800-1849 is Captain Frederick Marryat



When considering horror literature from 1800-1849, Captain Frederick Marryat (1792-1848) does not often come to mind. In my view two of his tales fit squarely within the Top 30 horror short stories of this important half century for the horror genre. Who was Captain Frederick Marryat? He was an Englishman obsessed with seafaring travel since he was a boy and tried to run away from home a number of times and stow away on ships. When his family saw they could not keep him off the sea, they enlisted him at a young age. Marryat would then travel the oceans of the world for a good part of his life. From 1832 until his death he penned novels of the sea and  a few short stories. Later in life he was a member of Charles Dickens's old circle of friends.

In Edgar Allan Poe's September 1841 review of Marryat's Joseph Rushbrook, he let the world know what he thought about Marryat as a novel writer:
He has always been a very Popular writer, in the most rigorous sense of the word. His books are essentially "mediocre." His ideas are the common property of the mob, and have been their common property time out of mind. We look throughout his writings in vain for the slightest indication of originality, for the faintest incentive to thought. His plots, his language, his opinions, are neither adapted nor intended for scrutiny. We must be contented with them as sentiments, rather than as ideas; and properly to estimate them, even in this view, we must bring ourselves into a sort of identification with the sentiment of the mass. Works composed in this spirit are sometimes purposely so composed by men of superior intelligence, and here we call to mind the Chansons of Beranger. But usually they are the natural exponent of the vulgar thought in the person of a vulgar thinker. In either case they claim for themselves that which, for want of a more definite expression, has been called by critics "nationality." Whether this nationality in letters is a fit object for high-minded ambition, we cannot here pause to inquire. If it is, then Captain Marryat occupies a more desirable position than, in our heart, we are willing to award him.
Fortunately, his horror short stories are of a much better lot. Unfortunately, Poe never commented on them.